|
WINONA RYDER ( CLICK HERE for MEMBERS version )
" Like , I'm nineteen . What am I supposed to do
, play a judge ? ! " Born : 29 October 1971 , Winona, Minnesota , USA Birth name : Winona Laura Horowitz Nickname : Noni Height : 5' 4" ( 1.63 m ) Biography : Winona Ryder was born Winona Horowitz and named after her the town in which she was born, Winona Minnesota. She grew up in a ranch commune in Northern California where there was no electricity. She is the Goddaughter of Timothy Leary and her parents were friends of Beat poet 'Allen Ginsberg' and once edited a book called "Shaman Woman Mainline Lady" an anthology of writings on the drug experience in literature - this included one piece by Louisa May Alcott. Winona Ryder was later to star as Jo in this author's Little Women (1994). She moved with her parents to Petaluma (near San Francisco) when she was ten and enrolled in acting classes at the American Conservatory Theater. At 13 she had a video audition to the film Desert Bloom (1986), but didn't get the part. Director 'David Seltzer (I)' (qv), however, spotted her and cast her in Lucas (1986). When telephoned to ask how she'd like to have her name appear on the credits, she suggested Ryder as her father's Mitch Ryder album was playing the background. ................... MORE
The “What-Do-You-Like” Guide to Winona’s Films by Don
A favorite of many of Winona’s fans is “Girl, Interrupted.” It is a serious drama about a girl’s difficulty adjusting to adolescence while spending time in a residential psychiatric facility in the 1960’s. Angelina Jolie co-starred and won best supporting actress for her performance. Her sexiest performances are probably “Dracula” and “Boys.” “Dracula” is a favorite and seeing Winona “under the spell” is something to behold! “Boys” has a dreadful script, but it also has Winona in a black bra playing out every young boy’s fantasy. If you like comedies, then you absolutely must see “Heathers” and “Beetlejuice.” These are both cult classics and a lot of fun to watch. Also, don't miss “Reality Bites” and “Mermaids,” both of which are comedies with a serious side to them, and are among her best movies. If you like period dramas, try “Little Women” and “Age of Innocence,” for which Winona received Oscar nominations. “The Crucible” ostensibly falls into this genre, although it also has powerful allegorical significance as well. If you like science-fiction then you’ll want to try “Alien Resurrection.” The movie is not based on the best script, but it is still a favorite among some of Winona’s fans. As part of the “Alien” series, it generally holds up well as an action flick. If you like esoteric indie films, then you might want to try “Celebrity,” “Simone,” and "Looking for Richard." Winona has small parts in these films, but as usual she gives excellent performances.
FILMS
by Keene With her latest two movies prior to Mr. Deeds performing poorly at the box office, people might have been wondering if it was all downhill from there. People like me were very curious to see how Mr. Deeds would perform, especially since being "the girl" in yet another Adam Sandler movie didn't exactly seem like compelling viewing. However, Mr. Deeds has been the biggest hit of Winona's career. Grossing well over $100,000,000 at the US box office. Whether or not Winona being in the news helped this movies profits I don't know, but it is a lot of fun to watch.
by Jack Garner Autumn in New York . . . .(is) certainly no classic, but I've seen dozens of far-worse films in other preview screenings. As old-fashioned, sentimental romances go, this well-played Kleenex saga is slightly above average. Think Love Story, but with a May-September twist and a new tag line: ''Love means never having to say . . . you're too old for me.'' Gere is convincing as the film's silver fox. But, thankfully, he allows the script to skewer the age issue repeatedly. He starts as a familiar character we've seen in several of his films over the last decade, but he eventually moves convincingly into uncharted emotional territory. As Charlotte, Ryder moves plausibly from her early star-struck attraction for Will to a more mature approach to a difficult relationship. Autumn in New York marks actress-turned-director Joan Chen's first foray into Hollywood filmmaking. She made her directorial debut last year with the far-different Xiu Xiu: The Sent-Down Girl, made in China. Her choice here is to film Autumn with modest, realistic style, favoring the slightly grainy cinematography of Changwei Gu over the ultra-polished approach some other filmmakers might have employed. Good idea. More sheen might have turned the film's sentiment into sap.
by Jay Carr, Boston Globe "Kaminski brings all the visual oomph one could ask for, but not enough narrative spine, momentum, or substance." by Roger Ebert, Chicago Sun-Times "For a thriller about demonic possession and the birth of the antichrist, it's curiously flat."
by Keene
Although it may sound like it, Girl, Interrupted is not a clichéd movie at all. It asks some interesting questions involving sanity and freedom as well as terrific performances all around.
by Fabio Another fanny movie from the master of "politically incorrect" cinema, Woody Allen. On this occasion he doesn't appear in first person, but the cast is excellent; over all, Kenneth Branagh, powerful in his interpretation of the frustrated journalist, who wants to enter into the star-system from the main door, starting from nothing. Little cameo for Leonardo Di Caprio, just returning from the planetary success of the 11-Oscar-winner movie Titanic, by James Cameron; here he's a great movie star, living in luxurious suites, always surrounded by wonderful girls. Charlize Theron makes the part of lion in this film; she's, in fact, the fulcrum of all the misadventure of Branagh: she's the girl he secretly love and would like to bed. But when he succeeds in knowing her and reaches to go out with her, he falls in total confusion, so that he turns with the car into a shop window! What an awful end for such a grotesque love story… It's time now for Winona Ryder. This time she's a beautiful super for a movie-in-the-movie. When Branagh saw her he suddenly understand she's his twin soul. After a clumsy trial of courtship, finally Branagh succeeds in his aim; but his jealousy will destroy everything. In fact Ryder is a very broad-minded girl, so that he accepts to play a comedy where she does the part of a young lesbian. The whole film is shot in black & white, as it was something very ancient. Great photography and excellent direction for a milestone for cinematography; good recitation of the whole cast, always able to face the acting. Special mention for the car scenes, that remind the glorious 007 movies with Sean Connery or Roger Moore, with a camera-car in front of actors and the scenes behind moving. Nominal Oscar for Kenneth Branagh for his acting and his adapting capacity for every kind of roles, comic or tragic. by Keene
by Keene This is a screen adaptation of Arthur Miller's play. When I first saw this movie I thought it was really great. A couple of years later and after studying the play I saw the movie again and I realized that it didn't have the same power as the play did. Although it's still a good movie with some very compelling scenes. Like in the Age of Innocence, Daniel Day Lewis (playing John Proctor) and Winona Ryder (Abigail Williams) make a great pair.
by Courtney I was seriously surprised at how little acclaim this movie received. This (as far as my taste goes) is Winona Ryder at her best. She really brought Abigail to life, and I think fit into the roll better than anyone could have done. The film was absolutely incredible, the acting was amazing, and the entire tone of them film kept me wanting more after it was over. While, no, it is not as good as the book, but it was an awesome portrayal of a classic book. Arthur Miller would have been proud.
by Keene This film follows Al Pacino's effort to create a movie of Shakespeare's Richard III. It's more of a long documentary then a feature film. Winona Ryder has a very small part in this film playing Lady Anne. The films best parts come when the cast are not actually acting, but these are frequently distracted by the uninspiring production of Shakespeare's play. Looking for Richard features a cast including Kevin Spacey and Alec Baldwin.
by Keene Despite Winona Ryder best efforts, she can't elevate the abysmal acting of her costars and it's pathetic plot. A group of boys find the unconscious Patty Vare (Ryder) and hide her in their boarding school. Patty Vare is hiding from the police who want her for questioning about a stolen car.
How
to Make an American Quilt (
1995 ) by Betinna
The last statement made by Finn in the movie is one of the most beautiful and most profound ones I have ever heard, I encourage everyone out there to watch that movie for it leaves you feeling good about life and the fact that it is not always perfect either. It is the story of Finn (Ryder) who visits her eccentric aunts to make a decision about her boy-friend (Mulroney) who had asked her to marry her. She starts to question marriage, if one person can be meant for the other for the rest of their lives. She also learns how important and consequential the choices you make in life can be and how sometimes someone does not find the love of their life in a man or woman but someplace else such as their children. Finn starts a fling with a local called Leon (Jonathan Schaech), but realizes that he is only a temptation, not the real thing. It is a movie about a young woman on the brink of marriage losing herself and finding herself due to the help and wisdom of all the older ladies who have met at her aunt's house to make a quilt for her. They tell her their life story, some are happy, some sad and she takes all of these wonderful experiences in and learns what is important in life.
by Keene
by Keene
The
House of the Spirits (
1993 ) by Keene A rather dull and drawn out story about a family in South America living through political upheaval. Even a cast including Jeremy Irons, Meryl Streep and Antonio Bandares can't save this film. Winona's character, Blanca, must endure a harrowing torture sequence, obviously affecting the character and actress alike.
by Keene This is one of Winona's best movies. Set in New York during the late 1800s, Daniel Day-Lewis is Newland Archer fiancée of the naive May Welland (Winona Ryder). Returning from Paris after divorcing her husband is May's unconventional cousin, Countess Olenska (Michelle Pfeiffer). Olenska's seemingly obliviousness of the existing customs is why Newland falls in love with her. Newland sees the Countess as the way to escape the hypocritical high society which she has made him aware of. All of this, is beautifully portrayed and explained by acclaimed director, Martin Scorsese. Viewers will recognize the style of narration so frequently used by Scorsese.
Bram
Stoker's Dracula (
1992 ) by Keene This is Francis Ford Coppola's attempt at a Dracula movie. Forget the fact that everyone is poorly attempting to speak with English accents and many of the films moments are (unintentionally) amusing. What we're left with is, in fact a rather dark and moody horror movie. Winona plays Mina, as well as being a fiancé to Jonathan Harker, she also happens to be the reincarnation Dracula's long lost love. Gary Oldman is outstanding as Dracula while Anthony Hopkins has some rather funny lines as Professor Abraham Van Helsing.
Night
On Earth Winona
Ryder( 1991 ) By Roger Ebert, Chicago Sun-Times Jim Jarmusch's "Night on Earth" assembles five moments in time, in taxicabs, in the middle of the night, in five of the world's cities. At the end, we have learned no great lessons and arrived at no thrilling conclusions, but we have shared the community of the night, when people are unbuttoned and vulnerable - more ready to speak about what's really on their minds. Jarmusch is not interested in making each segment into a short story with an obvious construction. There are no zingers at the end. He's more concerned with character; with the relationship that forms, for example, between a tattooed, gum-chewing, chain-smoking young cabdriver (Winona Ryder) and the elegant executive (Gena Rowlands) who wants to cast her for a movie. "I've got my life all mapped out," says the Ryder character, who hopes to work her way up to mechanic. "There must be lotsa girls who want to be in the movies. Not me." The movie doesn't insist that the cabbie is right or wrong; it simply reports her opinion. Jarmusch
essentially empties the streets for his night riders. The cities are
lonely and look cold; even in L.A., "it gets dark early in the
winter." His characters seem divorced from the ordinary society of
their cities; they're loners and floaters. We sense they have more in
common with one another than with the daytime inhabitants of their
cities. And their cabs, hurtling through the deserted streets, are like
couriers on a mission to nowhere. by Keene Winona's second film with director Tim Burton is a drama about a boy (Johnny Depp) who has scissors for hands and was left alone for years after his "inventor" dies. He is discovered by Peg Boggs (Dianne Wiest) and brought home to live with her family in the suburbs. Winona is the daughter trying to adjust to the strange new guest in their home. Although the plot and action isn't as good as Beetlejuice this movie is excellent because of it's visual style, especially when Dianne West's character is entering the mansion. This movie is also of interest to fans of Winona Ryder because Johnny Depp was her boyfriend at the time of filming.
by Keene An amusing story set in the 1963 Kennedy presidency about a young girl struggling to settle into yet another new town. While her mother (Cher) is out being the "town tramp", Winona is trying to practice becoming a nun and at the same time fighting her hormones. This movie adequately balances drama and comedy. A funny scenario in this movie is when Winona thinks she is pregnant from kissing a guy, just like the Virgin Mary in her precious bible. Since her mother hasn't bothered to tell her about sex.
Welcome
Home , Roxy Carmichael (
1990 ) "Welcome Home Roxy Carmichael" is Karen Leigh Hopkins quirky script. It tells the story of a 15 year old human stray - Dinky Bossetti (Winona Ryder). The film failed at the box office, but not for lack of effort from the cast or writer. If you haven't yet seen WHRC, then you've yet to see one of Winona Ryder's best performances. Dinky's friends are the reject animals she cares for at an abandoned boat. She dresses in black, doesn't brush her hair and writes confrontational poetry. Other kids throw food at her, her adoptive 'Mom' wants to send her to a special school, and her adoptive Dad is sympathetic but entirely ineffective. Without adult guidance or the support of her peers, Dinky drifts from one humiliation to the next, isolated behind her sarcasm, shrouded in her black scruffiness... until three events trigger change: 1. The anticipated return visit of town celebrity, Roxy Carmichael, and Dinky's discovery that Roxy gave up a baby fifteen years earlier. Dinky begins to explore her own identity, albeit under the delusion that she is Roxy's child and that Roxy will take her home. 2. School councilor, Elizabeth Zaks (Laila Robins), succeeds in reaching the deeply suspicious Dinky. She discovers that, beneath Dinky's sarcasm, is an intelligent if fragile person. Some great moments come from this relationship. 3. School popular boy, Gerald Howells (Thomas Wilson Brown), begins to notice that maybe weird is ok, while Dinky decides its ok to "take more an interest in yourself." (Although her motivation for transforming her appearance has more to do with the return of Roxy than with pleasing Gerald). The film has a dark side and I bet Ms. Hopkins had much more to show us of Dinky's damage. Sadly, the film studio had other priorities. But what is shown is highly evocative: Dinky's black clothes, black bedroom (with elaborate door locks), her suppression of her own femininity and her other defensive behaviors, all suggest past abuse or other trauma. In WHRC, Winona Ryder uses the emotional force of her eyes and fleeting expressions to convey honesty that was removed from the script by timid movie executives. Watch her real close (I know you will), she is completely ‘there’. The
great soundtrack fully supports the film. The photography is nice and
the use of candy box colors, especially in the final scenes, sweetly
illustrate the fantasy in which Dinky has been living. What else
can I say? See it! (Several times!) It’s now on DVD
(Region 2 at time of writing) and it sells cheap, as it is still
considered a failed ‘B’ movie. How little ‘they’ know... by Keene
by Courtney Where do I start? This is definitely one of the best Winona films I have ever seen (and I've seen my share of them). Winona portrays her character with incredible exactness, and is totally believable throughout the entire movie. I was relieved to find her in a dark comedy that would appeal to teens, but was not your "average" teen movie. This is, without a doubt, one that every Noni fan should see.
Great
Balls of Fire ! (
1989 ) by Fabio Made to follow the plot of Jerry Lee Lewis' life, the movie is generally well done and pleasant. In Lewis' place a wonderful Dennis Quaid, so great to seem untrue. Winona Ryder is Maira, beautiful 13 years-old daughter of Jerry's friend, who falls in love with the man the very same moment she saw him. Alec Baldwin is a faithful protestant preacher, with the illness of God and the mania of serving Him. After a childhood spent in a very faithful family, Jerry decided not to follow cousin's advice, and became to play piano, singing, he white, rock 'n' roll, a typical black music. We're in the 50-60s: in these years rose the star of Elvis Presley. At first musical managers didn't want to en-gage Jerry, because they thought his music couldn't be sounded with piano; but he astonished them all. In a very little time he reached the top of the chart, putting some smashing hits at the number one (between these there's the one which give the title at the movie, Great Balls Of Fire!). His life became more and more beautiful day by day: he finally ob-tained to marry Maira, even if, at first, her father was not so glad about the idea his 13 years-old daughter marry a man almost 30 years elder than her. But the problems didn't be long. And his life changed: as in a moment he became famous all over the world, in a moment he lost everything. He went in Europe to promote his LP, but press broadcast his marriage with who they called a child, and so public opinion was all against him; they boycotted his concerts and auditions, so he came back with his wife in their house in the United States, where he passed the rest of his life, alone. But, also in disgrace, a positive note arrived, because Maira was pregnant! Good direction, wonderful Quaid and quite good Baldwin in the place of the maniac preacher. Ryder, barely 18 years-old, was convincing in the part of the little girl. Special mention for the scenario-writers, who succeeded in making a hero of a musician, however without distorting history. Very positive standpoint of the movie is the soundtrack, and the mailing of the plot, which permit the viewer to listen to some great hits of a wonderful musician of the old 60s, in my opinion wrongly forgotten. by
Janet Maslin, New York Times
by
Keene
by Don I
saw this for the first time recently on DVD. It was an important
film for Winona because it was her first leading role and she gave a
good performance.
By Roger Ebert, Chicago Sun-Times
But it would be tragic if this film would get lost in the shuffle of "teenage movies." This is a movie that is as pure and true to the adolescent experience as Truffaut's "The 400 Blows." . . . “Lucas" was written and directed by David Seltzer, who obviously has put his heart into the film. He also has used an enormous amount of sensitivity. In a world where Hollywood has cheapened the teenage years into predictable vulgarity, he has remembered how urgent, how innocent and how idealistic those years can be. He has put values into this movie. It
is about teenagers who are learning how to be good to each other, to
care, and not simply to be filled with egotism, lust and selfishness,
which is all most Hollywood movies think teenagers can experience.
"Lucas" is one of the year's best films, and although its
three stars are all teenagers, I doubt if anyone of any age will give
more sensitive and effective performances this year. ................. WRFP
|